"For me the noise of time is not sad: I love clocks, watches - and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras in short were clocks for seeing..."

                                                            - Roland Barthes

The Homegrown Stories project theme during 2020 was environmental elements. The stories during 2021 are based on selected poems. 

My teaching website has migrated here.   

My Instagram account is here.

Some of my digital video work samples are here.

Some of my current and past student's work samples are here. Showcases of this work are organized here. 

Another article, Pilgrims, Protest Tourists and Palestinians: Abu Dis, Bethlehem and Dheisheh Camp, was recently published by the Journal of Humanity and Society.

Beyond the Wall in Dheisheh Camp: From Local to Transnational Image-Making, an article in the Pedagogy and Theatre of the Oppressed Journal, is here. 

Nakba Day: The Ephemera of Martyrdom an article about the intersection of art and politics amid the dueling narratives of Israel and Palestine is here.

A book chapter from The Landscape of 9/11: A Photographer's Journey may be downloaded as a PDF here. The chapter, Bearing Witness: Memorial Murals in Belfast and Bethlehem, is primarily about the practice of documentation. 

Photographs are available for viewing on my Flickr Photostream. Additional video may be viewed on my YouTube Channel.